Thursday, September 27, 2012
We've moved!
It's pretty simple: we've moved. The new place for all things C.P. White Media is cpwhitemedia.com. We've grown up. We've moved out. We've got out own Web site, CMS, hosting, and all that gobbledygook. So pop on over. Check out the tabs we've got too: you can browse and buy everything and anything. And just so you know, this Blogger site is going dormant for now. Follow Chris at www.cpwhitemedia.com today.
Wednesday, September 12, 2012
Rejection
I recently got the bright idea that I needed a literary
agent because my books weren’t selling well. I decided to go ahead and query
one, and not just anyone, but one of the top agents in the known universe. In
my swing for the fence I thought that by magic he would somehow cause my poorly
selling work to become magnificent and therefore change me into a discovered
author who is loved, famous, rich, and possibly even more interesting, if such a thing is possible. But that didn’t
happen, because he rejected my submission. And my heretofore magnum opus, K [phantasmagoria] is still not selling.
Surely that’s not my fault. Right?
When the agent sent me a quick email to let me know “this
one just isn’t working for me,” I reacted with grace and thanked him for his
extremely valuable time because I am, if nothing else, professional. Meanwhile,
under my skin, the sensitive creative bits were hurting. They still are. There’s
no rhyme or reason for it other than the fact that someone who knows good
writing basically told me my work isn’t good enough. The truth hurts, and this
is the first time I’ve gotten a good dose of it. The hardest part to take was
the truest: that he found it “hard to follow, with too much narrator-voice in
it.” Yep. That’s precisely the problem.
But there’s more. See, earlier that day I met with another
guy who knows his stuff. And he told me, “Dude, you have to do something about
your covers. You’ve gotta stop doing them yourself. Find a good designer and
pay them.” I responded with a sheepish yeah
I know, which begs the question: if I knew that already, why is it still a
friggin unsolved problem, know what I mean? So this guy who knows his stuff
referred me to some awesome cover designers, and I got the ball rolling in the
right direction.
What’s key about all of this is that I believe I have the
ability to make my work better. I now realize why my book isn’t selling:
because it sucks in every way sucking is possible. It’s true: cover, story,
marketing, all of it. The hallelujah moment is now, because I can finally
realize all of that and make the necessary changes. I mean, thanks to my fans—all
two of you—but I can do better. Much better.
So I’m now going back through and rewriting K [phantasmagoria] for probably the
tenth time. I’m taking out a lot of the gratuitous nonsense. I’m streamlining the
plot yet again, trying to get that ever-important beginning right. I think the
story starts in the wrong place, and I aim to fix that. Also the cover art is
clearly bad, and that will be fixed— by a professional. There are branding
issues as well, at least visually, and that’s going to be dealt with. Plus, the
title is wrong. I can finally admit that. Phantasmagoria is a cool and loaded
word, but most people blanch at it I think, at least if it’s in the title. And
by the way, if you want to have a hand in retitling this book, your contest entry
could win a free eBook at the C.P. White Media Facebook page. Just drop a
comment and suggest one.
I’ve spent a long time sitting around waiting for the market
to respond to me. It could be said that it’s been time wasted. But in light of
the lessons I’m learning it’s been time well spent, at least if I can apply the
kinds of changes that will get me good results. At this point, good results
equal exposure, sales, and a loyal following that’s chomping at the bit for
more. I have faith that I can deliver that. Though my confidence is at a new
low artistically, it’s only for the time being. I can rise up and do better,
and that starts today.
Tuesday, September 11, 2012
An Awful Ode to Homemade Bread
This has nothing to do with anything... |
Thy pockets are full
Of yeasty goodness
Air apparent
-ly awesome in admixture with gluten
Thou art crusty
And toasty and buttered
My teeth gnash
-ing across molecular webs that breadily fruiten
My mind is awhirl
A cascading torrent
Of bready texture
-s synapses fire ecstatically as I nosh
Wilt thou snog
O my slice
Softly thy coo
-ing to me makes mouth water in lusty anticipation of biting
into your spongy innards
[This is better when
it’s performed, as opposed to being read—ed.]
Tuesday, September 4, 2012
Hooked
Les Edgerton knows what he’s talking about. His eBook, Hooked,
lays down the law about how to begin your novel—and how, most likely, your
beginning could be much, much better. Making things worse, he doesn’t just
expect you to take his word for it. He gives plenty of examples that buttress
his point, like Island of the Sequined Love
Nun by Christopher Moore, a book now on my to-read list. Look, here’s the
deal: I know my writing has been changed for the better as a result of having
read Hooked. I now approach
everything differently.
Having said all that, it’s not that Edgerton’s research is
the last word on how you should write your novel. After all, that’s up to you,
and he doesn’t pretend it should be anything otherwise. What he offers is a
kind of road map on story—a little like Bickham
did—except with far more emphasis on the opening bits, which are, at least in
the sense of one’s writing being a commercial endeavor, the most important.
At first the terms are a bit overwhelming (especially when
Edgerton talks about the ten core components of an opening scene, blasting you
upside the head with shoptalk terms you’ve probably never dreamt of), but as
one reads on it becomes clearer. In fact, I highlighted the crap out of my
Kindle edition because Edgerton constantly drops in these little nuggets of
truth and profundity that sit up and beg for it. Examples? Sure:
“The first time a scene ends in success, the story is over.”
I’m like, WHAT?!
“A protagonist should not gain anything easily.”
Okay, yeah. I knew that. No really. I did.
“Summary doesn’t convince anyone of anything. Write that down.”
Hey Les, look: I wrote it down. And now I have a bunch of
fluffy crap I need to go and delete elsewhere. Thanks a lot.
In fact, Edgerton’s book is so chock-full of great
resources, you should stop what you’re doing right now and download it.
Seriously. If you fancy yourself a writer, if you’re an indie author, if you’re
published and agented and signed and successful, you should read it. It can
only help you, and Edgerton points out other excellent resources too, like
Bickham’s Scene and Structure, and like
another I haven’t quite gotten to yet, On Writing Well by William Zinsser (I’ll just take Les’s word for it that it’s
going to be outstanding when I finally do get round to it).
I’m not joking, this book will change your professional life
as a writer. What I found most alarming as I read through Hooked is that I’d been trading mostly on instinct and raw talent. The
emotional quotient to that, at least as an author, is pretty much just stark
terror. I was ignorant of the structure, the rules, the order of Story. And I
called myself an author?! Now that my mind has been peeled open a bit, I’m
soaking this stuff up like crazy. I really can’t recommend it highly enough. Go
get yours now.
Monday, September 3, 2012
Swiss Days 2012
For those of you who have seen the Swiss Days videos,
I apologize. For those who’d rather read about my adventures (or who’d rather not
hear me sing when I’m bored), I give
you the C. P. White Media Blog. I recently drove more than 800 miles in less
than 72 hours; a feat that favors the young (-er than I). I did it for Swiss Days. And it was pretty fun.
A good friend and colleague invited Aaron and me to pop on
down to Utah from Idaho for this event, which regularly draws more than 80,000
people to the tiny village of Midway, UT. It’s been going on for 65 years, and
it’s a great chance to experience a bona fide slice of Americana, with a Swiss
twist. Aaron wasn’t able to make it, so I took his Honda and set off, staying at
our friend’s house, where I slept on the couch and dreamt about miniature
Schnauzers and talked in my sleep very slowly: “Geeeeeeeet ouuuuuuuuut,” I said
at about three AM to the trespassing evil dream dog, which woke me up and
probably alarmed the other people sacked out in the living room. One doesn’t
expect to hear an authorial guest going on at literally all hours; I’m sure it was a little more than just irritating. So I
apologize to the people I offended/ horrified, and I have a feeling there’s
more of that kind of action in my professional future. Just cuz. It would
figure, that’s all.
I met some outstanding people at Swiss Days this year. I
signed lots of books and met tons of fans, some of whom had actually heard of the Airel saga, imagine
that! One young lady just couldn’t stop talking about how much she loved Airel
and Michael
and how she really hates that we keep leaving the reader hanging at the ends of
our novels. I’m going to blog soon about Les Edgerton’s book Hooked,
which is about hooking the reader from sentence one (a great idea), but in
today’s world of the series novel it’s almost as important to hook the reader
at the end of books one, two, and three, assuming there’s only four books in
the series—it’s really the hook before the hook. And technically, the hook at
the end of book one is really the hook at the beginning of book two and so on.
Anyway, this young lady was chomping at the bit for book three: Uriel,
which is coming soon (hopefully before the end of the year). If you want to be
in the loop, subscribe
to this here blog.
I’ll be headed back to Swiss Days next year. I was stunned
by the beauty of the event, and that includes the gracious people that
organized it, staffed it, and attended it. I’m super impressed. I’ll be
bringing my family back next year, and I probably won’t even have to bribe them
with a stop off at Lagoon in order to
get them to go. And I woulda stayed longer, but my oldest boy got baptized that
weekend, so I had to leave early because I prioritize my fam—especially for
things like that (I actually got the be the one who baptized him, and in the
Boise River, no less). It was a momentous weekend for me. I’ll be sharing more
of what I learned as the blog pages turn. Until then.
Labels:
Airel,
Airel saga,
hooked,
Lagoon,
Michael,
swiss days,
Uriel,
utah,
you tube videos
Wednesday, August 29, 2012
Ode to the Hatred of Windows 7 (stop me if you’ve heard this one before)
Hate is so out of fashion these days, what with the moral
superiority of the amoral shouting down at us from the high horseback of the
religion of Save The Victim. I, however, have never been afraid of swimming
against the tide. Ask me if I have an ounce of give-a-crap on me. My hatred of
the Windows operating system is self-justified anyway because Windows refreshes
it anew at random maddening intervals. Which makes it worse.
Attempting to trust Windows 7 with one’s productivity is like
tasking a psychopath with cooking breakfast: you never know what kind of
results you might get. Here’s the application of my angst. I was innocently
using Inkscape, an open source (free) vector based graphic design program that’s
available not only for unlucky number seven Windows, but also for Mac, which I’d
wager is more stable in the same way that building one’s house on concrete is
more stable than building a skyscraper on the point of a sharpened pencil.
Granted, I was asking Windows for the exceptional: “pretty please with sugar on
top can you render an image for me at 300 dpi with the dimensions of 5.25
inches by 8.5 inches.” <ENTER>
Whereupon Windows thought (boy howdy do I use that term loosely) for two hours and
then spat out an unusable file that no program installed on my machine could
read. You know what? I wasn’t the least bit surprised.
I then tried again. This is a regular occurrence for the
Windows user. Microsoft is apparently okay with its many millions of clients
being required to shoot craps on top of the OS that Gates built. The problem is
that this craps table is like an extra-coarse cheese grater and the dice fall
through the holes quite often. Anyway, I re-asked Windows 7 for permission to
please be productive. I set the Inkscape application (oops, Microsoft calls
them “programs,” not applications—that would be a Mac thing) working and then
stepped away for an hour, knowing Windows would need time to do its hair and
nails and gossip to the girl in the adjacent chair about how ambivalent it really
felt about the whole thing.
WINDOWS 7: I don’t know, girl, it’s like this User I have expects the world of me… he actually thinks I’ll obey when he clicks the trackpad in certain ways!XP: Tell me about it! It’s like they think they can just pop in and bark orders any time and get what they want.WINDOWS 7: Mmmmmm- hm. Girl, you know that’s right. I was like, “Oh no, you didn’t just walk up in here without so much as a ‘hello’ or a ‘damn girl you look fine’ or anything.XP: Right?! Them fools be thinkin they can just have they way wit us. I’m like, “Oh HAY-ull naw.”WINDOWS 7: You got that right, girl!
One can predict how this ends. I sat back down at my Windows
machine to check on it—it’s the only OS on God’s green earth that needs a
babysitter—and what, to my utter shock, awe and surprise did I discover? Why,
only that Windows had refused to obey a direct order. I got the following
message:
Inkscape has stopped responding… <DIAGNOSE>
Whereupon I engaged in the ritual every Windows user knows
by heart: CTRL> ALT> DEL, which now, as opposed to the relative elegance
of XP, launches a menu window that gives the user more choices that are
actually not helpful at all but instead just add an unnecessary extra step
before you get to the Task Manager you really
want. I clicked on the Task Manager choice, and the all-too-familiar little
window opened before me, showing me that yes, Inkscape had indeed stopped
responding to my commands. Big surprise. I then force quit the app…er, program.
Then Windows 7 popped up another
window, this one ostensibly helpful:
Windows is checking for a solution to the problem… <CANCEL>
I lost it. I shouted at my computer, “WINDOWS DOESN’T NEED
TO CHECK FOR A SOLUTION TO THE FRIGGIN PROBLEM; WINDOWS IS THE PROBLEM!” Then I calmly clicked CANCEL.
I then engaged in another ritual Windows users find all too
familiar: I started all over again. Sigh…
Tuesday, August 28, 2012
The Wagner Diary
It seems like it’s been forever, I’ll tell you that much. I
wrote The Marsburg Diary, or at least
I started writing it, over a year ago. It started off as a Stoker-esque
historical horror piece, but through the constructive criticism of my friends,
it became far more. Harvey Marsburg was born. He took on the traits of a couple
of people I’ve met in my travels, at least in regard to the amount of Dr.
Pepper he consumes (one of my LAV school instructors practically survived on
the stuff; a 2-liter of it was always with him like it was part of his uniform
of the day). I think ol’ Harv is what makes the series great. He’s like a fifty
year old male version of Airel: a little eccentric and proud of it, with the
occasional amusing bits of inner dialogue.
But Harvey’s also a little bit of my own personal fantasy
doppelganger, too. He’s British, and I’m borderline obsessed with British
culture. I’ve been digging for tasty bits of slang to use, and I fairly
splattered the second installment in the Airel Saga Diary Books with a liberal
amount of it.
Some of the criticism I got about The Marsburg Diary was that it was pretty meaty. You know, all that
Victorian English stuff (which I love, and tried to make as authentic as
possible). So to wit, the second book has lots more of Harvey. I had to
integrate new characters and new diary lines, so the flashback diary bits are
more of a seasoning than the main course. You’ll see a little bit more of
William Marsburg’s personal thoughts, but the main event is Herr Wagner’s diary
entries, which feature a little more of the infamous Mr. Rotheram. And I
promise, in this book we finally get to the bottom of that haunting line, “I
have always hated Falkenhayn.” Taking my cues from Goethe’s Faust, I really quite enjoyed writing
the quintessentially evil Falkenhayn, and hope you enjoy reading him.
Want an excerpt? I knew you did:
Deep in the wood,
somewhere in Illinois~
I probably needed a change of underwear.
Have you ever woken up to the
sunrise after sleeping on a forest floor? Let me put it to you this way: it’s
not like an advert for yoghurt and granola on telly, where the sun is gentle
and there are woodland fairies to caress one’s cheeks. It’s bleeding awful. I
felt like bugs were crawling all over me, I itched profusely, and I had managed
to injure my neck and head with what I had decided to use for a pillow the
night previous— a rounded stone. I was as stiff as grandmother’s knickers (whom
I never met, God rest her soul).
It’s funny about getting older— when
I was young, I was superman. Getting hurt was a rare thing that usually required
me to do something really stupid. But now that I’m nearing fifty, all I have to
do is wake up. I will try to rise to a sitting position and I’ll have sustained
an injury.
Cautiously, then, I raised myself
from the dirt. Gradually. Sloooowly. Never mind being nearly fifty. I felt
dead.
“What happened?” I asked no one. I
was half expecting an answer though, and looked around to confirm my solitude.
I was greeted by none but the lone piercing sun in the east. I raised a hand to
my brow to shield my eyes, the back of my hand brushing against a twig that had
stuck itself to my forehead in the night— which scared me. After dancing around
in fear for a moment, though, I finally calmed myself enough to gather my
things, tend to the morning necessities, and begin walking.
Where? Out.
What else could I do?
My car was dead. I had shot it.
And though my bestial enemy was
dead too, or at least I assumed so, I also assumed there were no others like
him chasing me round the wilderness. If there were, I reasoned, I wouldn’t have
awakened at all. At any rate, I was an expatriate Englishman stuck within one
of the islanded wilds of rural Midwestern America, stranded without a car,
carrying only my backpack. My life had been whittled to that and its random
plebian contents, with an especial consideration for those three books inside.
I checked my Ruger revolver. Empty
still, of course. Anything else would have been uninteresting, after all. I
shoved it back into my waistband at the small of my back.
I trudged on.
It wasn’t long before the wood
began to thin out and brighten up. Trees gave way to scrub and brambles, which
I tried to skirt around as best I could, moving toward some kind of exit.
Nature doesn’t clearly mark these things.
Offhand I wondered what in the
world I was going to do now. I was out in the middle of Illinois, somewhere
south of Champaign, about an hour’s drive. That put me at least a hundred miles
from my home in Chatham. The last road sign I remembered seeing was one for
Tuscola, another anonymous American village utterly surrounded by corn. I knew
at least that my wanderings had taken me off the beaten track and that I was
far from help, far from home. Being on foot just made it worse.
I finally found a clear path to
the edge of the wood, which was itself clearly defined: a gently curving
razor’s edge, to one side of which there was unruly nature— brush and forest— and
on the other side tall corn in perfect rows, towering at least two feet over my
head, tassels waving in the early morning breeze.
That was the first time I felt what
I call “the slip.” Like something just wasn’t quite right.
Some part of my brain was asking urgently why there should
be a corn field ready for harvest in the middle of May. It was like gazing at
an Escher; something was definitely not lining up here…
The Wagner Diary is
now available for Kindle. Nook users have to wait until tomorrow. Or the next
day. Or the next day.
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