Review of Airel by Ramblings of a Teenage Bookworm

Check out the latest review of Airel here. Positive feedback is just piling up! I need a shovel...can't breathe...stuck under feedback...

How to Be a Good Writer, Part 4

Let’s talk about attitude. As in, “I’m a professional creator and I couldn’t care less about the business aspects of my career.” Or, “You publisher-type people ought to know how lucky you are to be talking to me.” And there’s, “Editing is for amateurs. Don’t you dare critique me.” As acquisitions editor for an indie publisher, I can tell you for a fact that whenever I run across even a hint of this kind of sentiment my finger hovers precariously over the delete key.

It’s not professional. It’s not even realistic. And I daresay, if you suffer from this kind of thinking and yet persist in calling yourself a writer, perhaps you should consider getting in touch with reality. And a vocational change. To something in government. Tyrants and thieves are peas in a pod.

Right. On with it then. We know what’s not productive. The question is, how do we purge this blackness from our minds and professional careers? I don’t think successful people set out daily with the intent to cause as much pain and suffering as possible everywhere they go. Quite the opposite, in fact. But after writing your one-hundredth query letter, after you reach your one year anniversary for your blog and still have only two followers, after you have attempted to sit down and write that sticky part of your current project once more—only to be interrupted yet again—it’s difficult to remain optimistic about much of anything, let alone remain professional.

Once thing you can do is exercise your second amendment right to keep and bear arms and take up a new hobby—obliterating old milk jugs at close range. If you’ve got a twelve gauge I recommend rifled slugs and rotten produce. Downrange effects with that combination are like an all-Taco Bell diet: explosive. The point of it is to blow off a little steam whenever necessary.

Once you’ve done that and you’re feeling better both about yourself and your (indispensible) work, what then? I strongly recommend a group setting that is both supportive and honest. Join up with fellow writers who are actively writing, who are unafraid to read their work for critique and are eager to return that courtesy to you. Professionals are not defined by their salaries in any given field. Professionals are, at least in part, defined by their bearing and comportment, their civilized kindnesses. What you’re looking for then is fellowship.

My old 1890 Webster’s unabridged dictionary defines fellowship as “partnership in act or suffering, profit, success, or loss.” Well, that’s one of the definitions. My point is to assert that in order to be a successful writer you’ve got to have a good attitude—and the best way to have that is to surround yourself with quality, like-minded people.

Next week we’ll talk about investments, plus a little dry mechanical nuts and bolts action. Until then, writers, write boldly.

Review of Airel by Cafe of Dreams

Check out our latest review for Airel! It's on sale for $4.99 this month in the Amazon Kindle store. We already have 6 five star reviews, whoa!

Here's the basics: All Airel ever wanted was to be normal, to disappear into the crowd. But bloodlines can produce surprises, like an incredible ability to heal. Then there’s Michael Alexander, the new guy in school, who is impossibly gorgeous…and captivated by her. Somewhere in the back of her mind, she can hear the sound of pages turning, and another, older story being written. It is the story of an ancient family, of great warriors, of the Sword of Light, and the struggle against an evil so terrible, so far-reaching, that it threatens everything. Airel knew change would be an inevitable part of life. But can she hold on when murder and darkness begin to close in and take away everything she loves? Will she have what it takes when the truth is finally revealed?

On Writing, by Stephen King

Coming up with recommendations for writers is a sticky business. For me, that is. I can’t avoid my own eclectic tastes spilling over into my work, and for some reason I feel as if I should temper my output toward what’s more generally acceptable. But after a moment’s thought, I’ve decided that’s complete crap and I’m going to move on with what I think is best. After all, this is my blog and you’re reading it because you want to know what’s going on inside my head. Anyway, if you find out please let me know.

This week I have no decision to make, though. I’ve been so compelled by one book that I absolutely cannot wait any longer to recommend it to you. Next week I’ll give you something crazy, but for now…I may have touched on this book briefly here or there in previous posts. I’m talking about Stephen King’s On Writing.

Forgive me, but I think so highly of this book that I can honestly say that it is a monument to the craft of writing. A book for writers by one of the masters of the trade, On Writing stands, in my opinion, as one of the last words on how to go about it. Writing, that is. It’s honestly that good.

Here’s the caveat: you maybe won’t like all of it. King gives a bit of an autobiography toward the front of it that I personally found a little irritating. I was in a mooditude when I picked it up and wanted nothing more than for him to get to the #$@!^& point. But I pressed on, and when he served up the main courses my mind gorged itself without shame. If it could be compared to a five star dinner, I was at table with a bedsheet tucked into my collar and a shovel in my hand, bits of food and gravy peppered across my face.

Take, for instance, this little gem: passive voice. I didn’t really know what it was, though I had a sneaking suspicion that it was bad because all things wishy-washy and noncommittal are rubbish. Sure enough, it’s bad. Very bad. What’s worse, I was a prime offender. Blast. Ignorance may be bliss, but it’s a harsh mistress when it finally climbs off you and leaves you cold and exposed in the light of truth.

I cannot say this enough: if you are a writer, this book is required reading. No exceptions. Your local public library owns a copy. All your excuses are gone. Go forth, read and learn, and watch your writing transform under your very hands from blah to extraordinary. You didn’t know you had it in you. But you do.

How to Be a Good Writer, Part 3

Last week I posted another blog in a series of highbrow lectures about how little ol’ you can be more like Ernest Hemingway. Not that I have the slightest clue. But these days, who gives a #@!% about whether or not anybody actually knows what they’re talking about? Full steam ahead.

On to the business, then.

Let’s talk about references. When I was earning my wee business degree at a school that I can decidedly recommend against attending, I nevertheless picked up more than one useful thing for all the tedium and money expended. One of these was a grammar guide. It’s laminated and three-hole punched for your convenience, and tells you all about how to use pronouns. And other useful tidbits. I recommend finding something like this at, say, a college bookstore.

Another useful publication that resides happily on my shelf is this: The Dictionary of Problem Words and Expressions (Shaw, Harry, McGraw Hill, © 1975). This book tells you when to use farther versus further, the difference between hung and hanged, lay and lie, than and then and so on. These are all handy things to know, and they make you look far more intelligent than you actually are. I use it ceaselessly and obviously to great effect.

While we’re talking books to have on hand, we really need to, as professional writers (or at least people who fancy themselves professional writers), build our own library, starting with our very own reference shelf. To that end, I suggest starting off with a quality dictionary. I mean an actual paper one. The older the better (those old ones have such nicely groomed words in them; they never chew gum whilst speaking). I have one from the 1950’s and an unabridged Webster’s from 1890. At one point or another, you’re going to outgrow the stupid and clunky Encarta tools that Microsoft builds into its Word application, and you’re not going to have anywhere to turn if you’re not prepared. I’m warning you now. These older dictionaries are really handy, by the way, for writers of historical fiction or steampunk.

We can include in this vein of reference materials a quality thesaurus. Contrary to what most ignorant bumpkins might think, these are alive and well, and not in fact extinct.  I have a youngish one; it’s paperback and about thirty years old, and already segregated at the binding around the l-m area. So I must treat it carefully. This, again, is an indispensible tool for writers looking to find another word for “suddenly,” or, “therefore.” I’m told by an accountant friend of mine, who was highly irritated as she read through the Twilight books, that she suspects that’s mostly what Stephenie Meyer did especially in books two and three of the series: right click>synonyms in order to make things more interesting. I’ll leave it to the peanut gallery to decide whether or not, as Stephen King has asserted, “She can’t write.”

Now that I’ve worked in a King reference for three weeks straight, I’ll call this a perfect finish.

Waiting for My Ship to Come In

There’s an old expression oft used by hopeful optimistic people the (English-speaking) world over: “I’m waiting for my ship to come in.” English common law, developed over centuries and aided by the British culture’s emphasis on the importance of the written record (as opposed to the oral), is one of the foundations upon which the modern world rests. Investors in prior centuries would buy shares in ships that were bound for the frontiers of Asia or the New World. The written record of common law ensured that they would be paid—or that they would lose everything they staked—whenever that ship came into port a year or two after sailing. Spices, exotica, timber, precious stones and metals—these were the rewards a businessman speculator (or gambler in respectable garb) could expect to receive in return for his risk.

So why the history lesson? Because I’m waiting for my ship to come in. I too have risked, and believe I have backed a winner. I too have been hearing low rumors from the ether about its fortunes now for about two years. That ship is my own writing career. Roundabout September I believe I’ll see her majestically sailing into her home waters with the tide, making port heavily laden with the produce of the venture.

I’ve not financed her with gold or silver. Well, maybe a little treasure; whatever has been required. But mostly I’ve financed her with God’s favor, my own toil, my own time and effort and sweat, my own conviction that doing whatever it takes to be successful at writing will be worth it. That’s why I’ve gone back to residential painting again—because I need a little more cash to get through to September, yes—but mainly because that’s what a man does. Whatever it takes. I’ve been painting walls and trim in a rental home recently assaulted by several cats who marked their territory with impunity. The carpets ought to be pulled out and burned (they’d probably blaze with neon green flames), but that’s not my call. Maybe the same ought to be done to the previous tenants, but that also is not my call. I just open all the windows and crank up Journey on my iPod and paint in the midst of the poisonous fume. This kind of thing builds character, and besides: what right do I have to complain about anything at all?

My ship is coming in soon. Unlike my forebears in business, who had to risk their investments in the face of shipwreck, squalls, treacherous waters and still more treacherous men; and the captain and crew of the vessel itself, who risked all that in the flesh and still more besides, I risk only my time and effort. If for some reason that is not enough, I shall have more tomorrow to wager. The question I put to myself is this: how badly do I want it? I can assure myself of the answer: that I want it very very much; enough to have brought me this far and to carry me on as well.

If you’re a writer or think you are, my honest prayer for you is that you would find encouragement in the words of a fellow sojourner along the same pathways you no doubt tread yourself. The process is not easy; you and I know that. But it can have rewards, and not just at the end. Sometimes we gather fuel for the fire along the way. I hope as well that you would find a little healthy fear. Maybe that will be enough to spur you onward. Now I’ve gone from ships to paths to horses; oh dear.

How to Be a Good Writer, Part 2

Last week I posted the first in a series of blogs about how to be a good writer. I’d like to say thanks for sticking with me past the sheer presumptuousness of the very idea. And now that my anti-self-aggrandizement clause is out of the way, let’s get down to it.

In keeping with the template, I’ve come up with three more things good writers do all the time:

1. Write.
2. Write.
3. Write.

Point one: write. Keep notes, in other words. Again with the reference to Stephen King here, but good writers always have a notebook handy and that’s something I learned by reading his book, On Writing. You never know when your ideas will come. Well, scratch that. You know precisely when they’ll come. 5% of them will come at extremely inconvenient times, like when you’re driving on the freeway or in the shower scrubbing off the detritus of another sweaty day at the keyboard. The other 95% will come at the moment you are just drifting off to sleep. To minimize blazing fits of profanity, please at least keep your notebook on the nightstand. Try to make a habit of it. And don’t forget the pen. This is very important—writers should always have some way to record their ideas and keep their notes near at hand at all times. You may think, as I have done, that you’ll remember it in the morning. You won’t. Trust me.

Point two: write. Write articles. This is where the rubber begins to meet the road, folks. I read about this little bit of advice in an article (imagine that) on Helium, a great place to get exposure and get feedback. You can sign up to become a contributor there, or on sites like Factoidz or Examiner.com. Start a blog. Get it on a schedule and post at least twice per week. I’ve done all this. And the discipline of writing concisely, clearly, accurately and simultaneously threading in various keywords for SEO (Search Engine Optimization) purposes will only help you in the long run.

And the long run perspective, by the way, is the one you’ll be wanting to adopt as your own. This is a little aside, but writers—or anyone, really—for the most part, do not make it big overnight. Sure, your life can change in a single day, but that normally only comes after years of hard work. So many of us newbies (a moniker I’m only now just beginning to outgrow) have this completely unrealistic attitude that something is owed to us. It doesn’t go well for anyone with that mindset. But I’ll get into that more next week.

Point three: write. Write stories. Now, I’m not recommending that you run off all half-cocked and dive into your magnum opus. I dabbled with that; it’s more work than it’s worth, really. Start off with a 5,000 word short story. Find a professional editor who will give you a read and give you some detailed feedback—you’ll probably pay them about $50-$100 for this, but the investment is well worth it. You might also want to look into joining a local writers’ group, where fellow writers meet perhaps once per month to read and critique their work, and read your stuff there. Your next short story might have a goal of 10,000 words, and you could do a novella, around 20-30,000 words, after that. You can even publish eBook versions of your (finely polished and edited) writing on Amazon while you’re busy working on the next project. It helps to earn rewards for all that work.

Next week I’ll share my thoughts on how to be a good writer a little more. We’ll be covering writing mechanics, plot and character development, and the all-important Attitude. Until then my friends, go forth and write boldly.